As humans, we tend to make things more beautiful than they are, and as time passes, we lose touch with the fundamental reality of what we try to create. Unlike nature whose blueprint will always be true to reality. For Nature never attempts to deceive us, it moves us through its matter-by-fact.

A universal language is a way you can describe the unbiased opinion of nature. Water and (sound) frequenciescombined translate. this universal language we can all perceive. This honesty of nature is used in the design, creating a ‘Fluid design’ approach with no clear beginning or ending. As a result, the project can evolve to what it wants to be.

The general aim of the research Is to establish and show a universal language on a biological level and measure the immaterial. When talking about universal experience there is a translation between the technical/ mechanical measured frequency and the user’s perception that relates to memory and lived experience. These frequencies are a way to find common ground within the abstraction between the body and nature even though we search for it (subconsciously) in our daily practices, or in music.

The pieces are made with sound frequencies between 30 and 70 Hz in the 4 different sound waves. (sine, square, triangle, and saw). Through this process the intangible becomes tangible. The shapes are simple, yet integrated with variety and complexity such that no two units would ever be identical. The outcome is the way nature shapes itself.